沙鲁纳斯·巴塔斯1.0 演员介绍

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简介： 影人简介 　　?arūnas BARTAS (1964-) – Lithuanian film director, one of the most outstanding representatives of cinematographers. His contacts with cinema began in 1985 with the TV serial “Sixteen-years-olds” (dir. Raimondas Banionis), where Bartas played one of the main roles. He is a graduate of the Moscow Film School (VGIK). He made his directorial debut with his diploma film, the short documentary “Tofolaria” and mediocre-length film (which called spectators’ attention) “For the Remembrance of Last Day” (1989), where the real personages are “acting themselves” according to the principles of feature film. The author further “purified” the specific cinema language in the full-length film “Three Days” (1991), which was awarded the prize of oicumene committee at Berlin Film Festival (for the problems, the importance of the theme, the profundity) in 1992, and FIPRESCI Prize for the originality of the style, the significance of the theme, the beauty of pictures. This is a sto 影人简介 　　?arūnas BARTAS (1964-) – Lithuanian film director, one of the most outstanding representatives of cinematographers. His contacts with cinema began in 1985 with the TV serial “Sixteen-years-olds” (dir. Raimondas Banionis), where Bartas played one of the main roles. He is a graduate of the Moscow Film School (VGIK). He made his directorial debut with his diploma film, the short documentary “Tofolaria” and mediocre-length film (which called spectators’ attention) “For the Remembrance of Last Day” (1989), where the real personages are “acting themselves” according to the principles of feature film. The author further “purified” the specific cinema language in the full-length film “Three Days” (1991), which was awarded the prize of oicumene committee at Berlin Film Festival (for the problems, the importance of the theme, the profundity) in 1992, and FIPRESCI Prize for the originality of the style, the significance of the theme, the beauty of pictures. This is a story (almost without plot) about three young Lithuanians visiting Kaliningrad-Karaliautchus-Kionigsberg – a moribund, outraged town. The traditional dramaturgy is ignored in later Bartas’ films, as well: “The Corridor” (1994, it was shown at Berlin Film Festival), “Few of Us " (1995, shown in Cannes, in the program "Other Point”), “Home” (1997, shown in the same program in Cannes). All of them are works of free structure, minimalistic form, philosophical associations. The works of Bartas are not well-known and analysed in Lithuania, but they have a small, faithful round of admirers in the West.　　http://www.douban.com/group/400823/ 详情